Born in Evanston, Illinois, Connie Zehr received a BFA in sculpture at Ohio State University in 1960. She has created on-site ephemeral installations in museums and galleries nationally and internationally including: The Whitney Museum of American Art (New York City, NY); The Museum of Contemporary Art (Chicago, IL); Pasadena Art Museum (Pasadena, CA); Taipei Fine Art Museum (Taipei, Taiwan); Salvatori Ala Galeria (Milan, Italy); Wadsworth Atheneum (Hartford, CT); Newspace Gallery (Los Angeles, CA); and numerous university galleries.

In 1987, the Los Angeles Municipal Art Gallery in Barnsdall Park (Los Angeles, CA) mounted an 18 year retrospective exhibition where she recreated scaled down versions of six major sand installations in the 10,000 sq. ft. space. Ten years later, in the same space, she participated in an exhibition, “SENSUALITY IN THE ABSTRACT,” where she created three new installations (consecutively) over a three month period and exhibited the first “iris” prints relating to those installations.

She is included in “Sunshine Muse,” by Peter Plagens; “Originals,” by Eleanor Munro; and “L.A. Rising,” by Lynn Kienholz. Connie is an Emeritus Professor of Art at Claremont Graduate University where she taught in the art department from 1982-2009 and was Chairperson from 2001-2008. She now resides in New York.

 

Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr
Connie Zehr

l-r: New York Studio (c. 2012); Claremont House (c. 2012);
“Eggs” process installation and detail (c. 1972); Rope
process (c. 1972); “Tendencies II"”process (c. 2004);
Collecting sand with sons Chris and Eric (c. 1971)